Caveat

With regards the reviews I write, I feel it is necessary to provide this caveat.
The initial section right up to the button that opens the full synopsis is the teaser where I try to give a look into the book without revealing too much.

The section within the button is a full synopsis. No detail will be hidden at all.

Be warned!
The final section (Food for thought) is a series of thoughts on the book. This is a personal take on the book and does mention important parts of the books. It should be considered as much of a spoiler as the previous section!
Showing posts with label Dystopian Future. Show all posts
Showing posts with label Dystopian Future. Show all posts

Sunday, 7 December 2014

Book Review: Compile Quest by Ronel van Tonder - 4thwallfly

Welcome to the Fly on the Fourth Wall. This week's book is an interesting tale of dystopia on Earth.
It's Compile Quest by Ronel van Tonder.

Cover art copyright of Ronel van Tonder

'In the year 2036, solar storms batter Earth crippling electrical infrastructures across the globe. Night falls and the ensuing pandemonium claims millions of lives, catapulting the world into chaos.

In the midst of this global turmoil a hero emerges. The altruistic SUN Council intercedes, constructing enormous domes on each continent to protect the world’s population from the radioactive CME’s of the incessant solar storms.

But not everyone makes it to the domes. In an attempt to survive the deadly radiation, hundreds of thousands of people dig into the earth, living in squalor under an oppressive military dictatorship.

Now centuries later, the final stage of the SUN Council’s plan to decimate the world’s population approaches. But as victory glimmers on the horizon, two women from discordant halves of this new world start to unravel the conspiracy.
' Compile:Quest - Ronel van Tonder [2014]

Compile Quest is a story that revolves around two women and a male, Jinx, Peppermint and Ray respectively, who live lives that are so far apart they may as well be anathema to each other. Their story is set in a post-apocalyptic Earth, ravaged by solar flares and centres around South Africa. Switching back and forth between the two, the reader is gradually brought into the world of the SUN Council's domes. Peppermint is a survivor of the disaster that struck the Earth and lucky enough to be a resident of the Africa Dome, enjoying a life of luxury such as our world has never seen. She has a soft life and lives out of touch of the reality of her situation, only coming to realise that her world is highly regimented when she is personally impacted by the Africa Dome's policies. Jinx is a soldier of the Rooivalk Digger Colony which occasionally struggles with the Wildebeest Colony while Ray is a farmer and later recruit for the Wildebeest Digger Colony. Their lives seem far apart (though Ray and Jinx are perhaps closer together than they both are to Peppermint) but they are intrinsically linked.

Food For Thought:

A couple of things caught my eye with this story and I had a mix of reactions towards it. My first delight was the technology present in the book. The SUN Council has gone well out of its way to develop a closed world that is kept content and placid. We see this throughout Peppermint's experiences as she lives (without quite realising it until later) under the thumb of the SUN Council's requirement. At her disposal is a level of technology that brings about a level of hedonism unheard of in today's world. Peppermint's world features robots and virtual reality, recreational drugs and wild parties (and polygamous relationships). The word robot derives from robota which itself derives from a word referring to a form of slavery or forced labour. In this bright new world, mankind appears to enjoy a hedonistic lifestyle on account of the SUN Council's magnanimous organisation of their upkeep. Even clothes are provided from dispensers called weDress (which is probably a subtle dig at the Apple I- product lines). A concept to consider is how likely this is to occur to a human population. Are we, as humans, content to remain catered and cared for at the expense of our curiousity? Alot of human technological progress has managed to make life easier for mankind (admittedly resulting in larger workloads to compensate for the time saved). It bears thinking that in a closed society that didn't seek to progress but rather sustain itself indefinitely it would be possible for technology to entire replace the requirement for people to work themselves. This is sometimes thought to lead to a hypothetical death by boredom. That without struggle and given the resources to do whatever one pleases, one would eventually find every aspect of life boring and without purpose. Which begs the question: Can mankind truly be 'human' without driving goals and struggles to fight?

The book also details the SUN Council as a form of benevolent corporate entity (if we assume benevolent to mean protective and constrictive). Provided a dome citizen follow the SUN Council's mandatory requirements, then that citizen is provided with a luxurious lifestyle. I've talked about this issue before, how society and our environment controls how we interact with the world around us. Currently, it is harder and harder to avoid a homogenous culture thanks to the Internet, but in the world of the Africa Dome, it is all too easy to dictate how every citizen should think and behave. Every citizen must wear a Cerberus Unit that effectively monitors them and must receive regular check ups to determine their physical and mental health (here referring to their compatibility with acceptance of their situation). In a closed society without external influence then, it is too easy to see how one can be controlled. However, people within that closed society would be unable to recognise their situation, seeing it more as 'the way things are.' It is simply impossible to shed those subjective influences on our views (i.e. true bias is impossible). The SUN Council presents a warning to the reader, reminding us that we choose to limit our choice of information sources at our own peril.

Outside of this, I have only a few observations to add. Some of which might be interesting to note. Events that impact our individual culture's history tend to lend great weight to how we create our villains. For example, Harry Potter's Deatheaters are influenced by the Nazi SS Deathheads (same motif, similar goals of racial purity, a fascination in their innate superiority as the world's master race, rule by fear and violence). In much the same way, I would theorize (can't be proven, too few sources to back it up), that a South African book might be influenced by the Soweto (South Western Townships) that edge around Johannesburg, much like the parallels drawn in real life by the Soweto and the city of Jo-burg proper, Compile Quest highlights the differences between the rich and poor, those who live in Domes and those who live in Colonies. Ray's viewpoint provides the greatest comparison between the struggle for life that every day in the Wildebeest Digger Colony requires compared to Peppermint's near idyll lifestyle. The natural tensions caused by friction between have and have-nots is a very powerful thing and in the world described by Compile Quest, it would be enhanced by the sheer size of the contrast between the rich and poor. The Domes of Compile Quest are probably analogous with the compounds that formed in South Africa.

I was quite endeared to the use of Afrikaans in the book (despite having no actual knowledge of the language at all). I found that the dialogue and interactions are written well enough that it is easy to parse meaning when Afrikaans is being spoken. There are admittedly some issues with the terminology used by the Africa Dome denizens (whose language has quite understandibly evolved to reflect their high-tech society), I think that was well thought out (though I disagree with the idea that 'data' should be an epithet as data is neither a positive nor negative term on its own).

Overall though, I believe this book to be an enjoyable read. It gives some interesting insights, it has a fantastic setting and is young (but not in the young-adult sense). I look forward to seeing what else van Tonder decides to put to pen.

Thank you and have a sunny day.

Saturday, 27 September 2014

Book Review: The Killables by Gemma Malley - 4thwallfly

Welcome to the Fly on the 4th Wall. Today's book review is set in a dystopian future, a world where Order (with a capital O) has prevailed over the chaos that had preceded it, but at a terrible cost.
We're looking at:
The Killables by Gemma Malley
Cover art copyright of Jonathan Minster

'EVERYONE ACCEPTED THAT PEOPLE WERE DIFFERENT PHYSICALLY.
BUT INSIDE?
INSIDE, THEY WERE DIFFERENT TOO. YOU JUST HAD TO KNOW HOW TO TELL, WHAT TO LOOK FOR.

Evil has been eradicated. The City has been established. And citizens may only enter after having the 'evil' part of their brain removed. They are labelled on the System according to how 'good' they are. If they show signs of evil emerging, they are labelled a K... But no one knows quite that that means. Only that they disappear, never to be seen again...' The Killables, Gemma Malley [2012]

The Killables is a brave new glance at the conceptual ideas raised by Aldous Huxley's novel 'Brave New World' that shares some similarities to George Orwell's '1984.' This is the story of Evie, citizen of the City. The City is the only remaining bastion of civilisation in a world ravaged by the scars of a long-past disaster. The City protects its inhabitants from the disorder beyond its walls, provided that its citizens continue to repress the evil amongst them. They have all undergone surgery to remove the evil parts of their brains at birth. A City's citizen can easily identify one another thanks to the identical scar they bear on their heads as a result. But Evie is different. She has nightmares. She isn't happy with her lot in life and she's all too aware that she's deviant. She isn't the ideal the City demands. Most importantly... she's not in love with the man she's promised to.

The Killables is set in a post apocalyptic future where most of the world is recovering from the wars that had raged across the planet. However, the City stands as a bastion of peace and calm in a world of survivors. It does so by maintaining a controlling System that grades the citizens within the City, rating them in a series of ranks that denote a citizen's potential for evil (i.e. an "A" is considered the safest and most selfless type of citizen while a K is someone to be shunned for their evil). Though Evie comes to realise there is more to the City than there appears at first glance. The majority of the book is told from Evie's point of view with occasional switches.

The Killables is part of a series called the same name and will continue with 'The Disappearances.'


Click below for the full synopsis (click to open/close):



Food for thought:

This is a story where the main theme, like the Puppet Masters, is about information, the effect that control of information can have and the price of freedom. Admittedly, being a 'teen'-fiction (where the principle characters are 'young adults') it doesn't go quite as far as Heinlein's story. For example, no one actually dies in the book, sure there are people who were labelled K and left to die, but Linus reveals that all those people had been saved. The only deaths that really occur in the entire novel happen as part of the story's setting, during the Horrors.

The citizens of the City in this book live in what they perceive as the last bastion of civilisation in a world left ruined by wars. Their lives are set and run entirely by the System that governs them and by the Brother that governs the System, though of course, they don't realise it. They are like the proverbial frog at the bottom of the well that looks up and sees the entirety of the world. The sky, the walls of the well and the land the frog stands on, totally unaware of the existence of a larger world beyond the wall's exterior. Just like that frog, the City's citizens live a peaceful but ignorant lifestyle. Their behaviour and lives have been controlled not by any harsh implement or physical force but by the simple fact that they have been told that their world is all that there is. To all intents and purposes they experience a closed understanding of the world that is enforced by the cult-like behaviour.

However, freedom is not necessarily better. It is a powerful concept and evokes strong emotions because as individuals, we all consider ourselves masters of our own destinies. To have freedom is something many people take for granted, but sometimes what is perceived as freedom can actually be another form of control with the illusion of free will. For example, if I asked you to pick between a blue or yellow item. I've given the illusion of freedom by granting a choice, but I have presented only two definite options without alternatives, thereby controlling the response.

Moving back to the concept of freedom, freedom is not inherently competent or even 'good.' You see elements of that in the chaos caused at the end when they have overridden the System. The citizens are not jumping up and down with joy at their new circumstance, they are mostly confused and none of them actually show direct support for or against the Brother after the accusations. Life is easier without freedom, less effort is required to exert one's desires upon the world. The Killables, like last week's The Puppet Masters, highlights the danger of never questioning the world you live in.

It also features a small link to the nature of the soul. The soul is a subject that is often separated from our 'chemical' selves. From the neurological perspective, our morality, logic and personality is linked to the chemicals received in our brains and the reactions of various parts of it to that stimuli. However, such a clinical understanding degrades the concept of the soul, something which is seen as indefinably human, this idea that our personality (what makes us 'us') is sacrosanct. You see it in the form of the experiments to remove the amygdala. Instead of resulting in human beings who are now 'good' the operation results in morally bankrupt individuals (who also appear to have lost some of their intelligence too), giving rise to this idea that you cannot clinically remove 'evil' without destroying the 'soul' of that person.

Finally, as a little something I noticed, Linus' dream for his ideal System is not unlike the dreams of the Soviet Union in the late 1950s and early 1960s. The idea that a computing system could be developed to optimise the life of the Union's citizens was part of 1959 in the USSR where slogans such as "Soviet scientists! Raise the effectiveness of scientific research, strengthen the connection between science and industry!" could be found. In some ways, The Killables can be said to be analogous of the USSR. Like the USSR, the City claimed to be an utopia for the masses within its walls but in truth was an autocratic and oppressive regime. The City had itself a wall designed to keep the outside world away from itself, much like the Iron Curtain that descended (to quote Churchill again).
Mind you, only in a minor way, does the analogy fit, but nonetheless, Linus' dream of optimisation through a computing system is remarkably similar to the Soviet dreams of the late 1950s where the long sought 'utopia' was due to arrive (much as Linus' dream was built to provide utopia) only for both dreams to collapse on themselves.