Caveat

With regards the reviews I write, I feel it is necessary to provide this caveat.
The initial section right up to the button that opens the full synopsis is the teaser where I try to give a look into the book without revealing too much.

The section within the button is a full synopsis. No detail will be hidden at all.

Be warned!
The final section (Food for thought) is a series of thoughts on the book. This is a personal take on the book and does mention important parts of the books. It should be considered as much of a spoiler as the previous section!
Showing posts with label Parasite. Show all posts
Showing posts with label Parasite. Show all posts

Saturday, 20 September 2014

Book Review: The Puppet Masters by Robert A. Heinlein - 4thwallfly

Welcome to the Fly on the 4th Wall. Today we're going back in time to review a book that is somewhat dated but reflects the period very well, xenophobes and McCarthyists be warned, we're looking at you, in:
The Puppet Masters by Robert A. Heinlein:
Cover art copyright of Bob Eggleton

'PUPPETS, MEET YOUR MASTERS

First came the news that a flying saucer had landed in Iowa. Then came the announcement that the whole thing was just a hoax. End of story. Case closed. 

Except that two agents of the most secret intelligence agency in the U.S. government were on the scene and disappeared without reporting in. And four more agents who were sent in also disappeared. So the head of the agency and his two top agents went in and managed to get out with their discovery: an invasion is underway by sluglike aliens who can touch a human and completely control his or her mind. What the humans know, they know. What the slugs want, no matter what, the humans will do. And most of Iowa is already under their control. 
Sam Cavanaugh was one of the agents who discovered the truth. Unfortunately, that was just before he was taken over by one of the aliens and began working for the invaders, with no will of his own...' - The Puppet Masters, Robert A. Heinlein [1951]

The Puppet Masters is a book about mankind's struggle against an extraterrestrial invader that can not only hide itself from humankind but also take control of human beings. It is told from the perspective of Sam Cavanaugh, an agent of the Section (a secretive intelligence agency above that of the CIA) and set in a 'future' that holds very few similarities with our present. Sam's world, for example, still features the USSR (Union of Soviet Socialist Republics) as a world power that hides behind the Iron Curtain (from Churchill's famous speech). He has a mobile phone in the form of a surgically implanted phone in his cranium and drives an aircar (an old term for a flying car). The world itself has recovered from the Third World War which was implied to have been between the USSR and the USA. In this future, mankind has already spread to parts of the solar system and encountered the Venerians (Venus-inhabiting aliens). Despite this though, the tale takes place almost entirely on Earth.

A very enjoyable tale, though as a reader, you can't help but feel a bit of detachment from the book's language and setting. There's alot of slang that frankly isn't used anymore at all which adds to the sense of confusion within the story because it can be hard to tell when something is slang and when it isn't. For example, Heinlein uses the word 'burn' when describing Sam's use of a gun, which at first had me thinking (because this story was in a future setting) that the weapons involved were some sort of laser (or thermal induction weapon for the boffins), however, a single reference to an Owen gun suggests that it is just slang for 'shoot' (an Owen gun is a 1939 era sub-machine gun), which is verified by the use of the word 'heater' to refer to his gun (slang for a handgun).Unfortunately, this can make reading the book something of a struggle. Despite that though, this is still a very entertaining read and a fascinating insight into the conceptual ideas of the 'future' that were had in the 1950s. However, the book's setting is only glimpsed at through occasional remarks from the characters (acting as if the reader would be already familiar with these events).


Click below for the full synopsis (click to open/close):



Food for thought:

It is important to remember that this book is a product of the late 1940s, printed in 1951. Much of its content derives from events surrounding this period and the book itself is a reflection of the taste of the period. The concept of UFOs (Unidentified Flying Objects) and their classical 'saucer' shape is a dated one. Today, the flying saucer is usually seen as a sign of parody rather than a 'serious' take on science fiction. However, during the late 1940s, UFOs were a new, exciting and popular topic. From the crash of an Air Force surveillance balloon in 1947 at Roswell, New Mexico, to the 1948 hoax at Aztec, New Mexico and from stories of 'foo fighters' by pilots who served in the Second World War, the American populace was hyped, primed and entranced at the ideas of visitors from outer space. The Puppet Masters is simply a play on those fears and wild speculations by presenting a tale that not only has a genuine UFO crash but also a sinister reason for the 'coverups' that occur shortly afterwards.

The 'enemy' is a mix of the two enemy ideologies that the American populace of the time could easily identify with (though leaning heavily left). The first being the spectre of fascism, that enemy only officially overthrown in 1945, six years before. The jackboot marching and blind obedience that the concept of fascism invokes (or ultra nationalism as it is known today) is conjured in the effortless control that the Titans (the aliens) have over their victims while the sense of secrecy and the fact that the Titans are, in fact, one connected organism creates the spectre of Communism, a unified society that seeks the improvement of the human race and the ushering in of an 'utopia', although it is an utopia that benefits the Titans first and foremost.

In some senses, this book is a play on the differences between autocracies and democracies. It makes a play on the power that control of information can have, something that was quite well known at the time. Our conception of the world around us is entirely derived on what we can find out about it. This is the story of democratic society defeating autocratic, of people who question defeating a people who don't (or in this case, can't).

On the topic of the power of control of information; for example, everyone knows that the Earth orbits the sun. Why? Because we have been informed that this is factually correct. As an individual, I have never been into space (so I've never been able to directly observe the Moon's orbit, which would prove that smaller objects orbit larger ones) and I've never touched a telescope (which would allow me to view the phases of Venus or Jupiter's four biggest moons). Effectively, this means that I have chosen to take the fact that the Earth orbits the Sun on faith, I can't really claim to know 'better' just because my view is shared by the rest of the world. The very nature of the Titans is part of that play on the power of information. Had mankind understood the threat that was arrayed against them when that UFO first landed in Iowa the war would have been a short one. Instead, the Titans manage to extend themselves not by outright dominion but by careful selection, starting with the channels of communication, the broadcast networks, then moving on to local administration, such as the police force and politicians.

The Puppet Masters makes the point throughout the book of the folly of simply accepting what we're told by the media. Heinlein was sounding a warning in 1951 of the dangers inherent in a system that controls information (such as for example... the only other major economic and military competitor after the 2nd World War; the USSR). In today's society, there's a large amount of scepticism and cynicism. We're used to the idea that the media has a slant. However, unless direct evidence reaches us, we're inclined to believe whatever the majority believes (usually the majority belief is factually correct, but not always). Remember the adage: "Knowledge is power." This is the main theme throughout the novel!

There is a subtle take at the reactionary power of a democratic government. When the Section discovers the threat of Titans, the President fails to act immediately on it, choosing to try to pick the most politically advantageous time to reveal this information. An autocratic society would have acted faster and more decisively, but democratic societies are not designed in any way or form to be 'efficient' (in a ruthless sense), they are instead designed to counter the power given to the elected officials. A system of checks and balances exist to ensure that the leader of a democratic society cannot choose to act autocratically.

There's also the whole 'public nudity' take. Schedule Bareback and Sun Tan are not very shocking in today's society. Sure, most people aren't comfortable with dropping their trousers in the middle of a street, but intellectually, we know about nudist colonies and beaches, we know that there are some people who do actually do that. It's not such a great shock. However, in the 1950s, Schedule Bareback and Schedule Sun Tan would have come across as big shocks. Naturally, there is a small point made about what we are willing to sacrifice for the promise of greater security. Initially, Sam notes that quite a few places in Zone Green expressed confusion and uncertainty about the need for Schedule Bareback, but as the Titans go from being an incorporeal fear to an actual, living, breathing fear (sometime after the air-raid shelter incidents) then the majority of resistance to Schedule Sun Tan disappears. It is a fact in life that citizens will happily give up their rights if they are convinced that the security offered will counter their fears.

All in all, the Puppet Masters is a great tale. An enjoyable story despite its quirks, though there are a few. Many of these quirks are just a reflection of the times in which the book was written. There's a very clear anti-Soviet tone throughout the book, but this should not be so surprising. America was under threat by the growing strength of Communism (and in the 1950s it certainly was growing). From the American perspective, alot of the world was arrayed against them by the late 1940s. Russia had spread Communism to Eastern Europe while Western Europe was struggling to rebuild. In 1949, Chiang Kai Shek's fascist government (supported by American equipment and funds) was forced to flee to Taiwan by the Chinese Communist Party, never to return and in 1950, the wealthy, industrialised and Communist North Korea declared war on the poorer, more agriculturally based South (with huge initial successes). At the time of the publication of The Puppet Masters, Communism was in the ascendancy. In addition to these external political factors, internally, America was still gripped by Senator McCarthy's 'Red Scare.' As such, the Titans in the book are a clear 'enemy' that any American reader of the time could immediately identify with and reject as evil.

There's nothing wrong with this. British novels (for example) tend to use the Nazis for inspiration when it comes to finding some big, evil entity for a novel (look at Harry Potter and Voldemort's SS Death's Heads sorry, Death Eaters, complete with skull motif, black robes and questionable ethics regarding the purity of the master wizard race). What is wrong is the idea that the world is so black and white. There's them and us. There's the USSR in the book that dropped atom bombs on America, and US (the United States). There's the United Nations not really doing much to help and US. Black and White or Blue and Red, your choice. That in itself I felt was a disappointing aspect of the book, the fact that the villains lacked any real complexity. There wasn't even a suggestion of survival there, the only interview with the Titans had boiled down to 'we do it because we like it.' If the Titans really do steal culture as much as they steal bodies, why then did the Titans fail to develop anything mentally more challenging than spreading themselves? Culture is more than just a single boxing match. Yes, Sam questions on numerous occasions whether the Titans were actually sentient or just had an animal level of instincts, but when he himself is possessed by them we can see that the Titans are using his intellect and training to their benefit. Human beings are complex creatures, and Sam himself is able to develop complex plans to benefit his master. It is almost disappointing that the Titans never then develop a successful or complex strategy against Zone Green beyond endless attempts to infiltrate the zone.

The other quirk is the language. It is an understandable issues, but is still jars from time to time. Slang is a good way to reach your contemporary audience, as they will understand the terms you use and identify (empathise) better because they themselves use those very terms. However, once the language changes (and language always does evolve), it remains within the text awkwardly, no longer able to create a common bond of empathy and instead invokes confusion. As mentioned at the top, I spent the initial chapters assuming that Sam was armed with a laser on the assumption that 'heater' and 'burn' were words that would apply to a weapon of that sort. However, the Internet has kindly informed me that burn and heater are slang for shooting and pistols respectively.

One last quirk is Mary. Mary is portrayed initially as a strong, fierce woman. Note I didn't say she was independent. Yes, modern feminism and concepts of gender equality were still being developed in the 1950s, but nonetheless Mary comes across as an innately depressing character. Here is the female lead to Sam's male lead. She's tough, a competent agent, but cannot for the life of her think for herself. With only one or two exceptions she ends up just being an echoing device for Sam's wishes and desires, most notably around their marriage.

That one final issue I had was the ending. Robert A. Heinlein pulls a 'Deus Ex Machina' in the form of a very convenient biological solution to the Titans. It's not a big deal, since Heinlein usually writes quite optimistic tales (even a book with a premise such as The Puppet Masters ended on a cheerful note). Earth was in the clear, though the planet must remain vigilant as mankind takes to the stars to exact some rather old fashioned revenge. However, despite all that, I reiterate that I enjoyed the story. It's a nice insight into the thinking of the 1950s, the language is hard to understand at times when the slang appears but it doesn't detract from the enjoyment of the story.










Saturday, 13 September 2014

Book Review: Parasite by Mira Grant - 4thwallfly

Welcome to the Fly on the 4th Wall. This week I'll be reviewing an interesting book that came my way. Hypochondriacs be warned, this is a science fiction thriller with alot of medicine!
Well, sort of science fiction, there may not be much cosmos involved, but there's certainly science gone wild in this review of:
Parasite by Mira Grant

Cover art copyright of Orbit

This is written by Seanan McGuire under the pen name 'Mira Grant.' It is a science fiction thriller that doesn't disappoint, featuring some of those lovely things we've come to fear in the modern age: Medical science gone wild and unethical corporations. Parasite is the first of a two part series called Parasitology. The second book is called Symbiont.
If you feel a worm of doubt about this, don't worry, that's just the parasite settling.

'YOUR HEALTH IS IMPORTANT.
CHOOSE SYMBOGEN

'Every so often, some conspiracy nut starts in with "what they aren't telling you" and "the things they don't want you to know", and you know what? Not one has produced verifiable scientific evidence that the Intestinal Bodyguard is harmful in humans' - Dr Steven Banks, co-founder of SymboGen

A decade in the future, humanity thrives in the absence of disease. We owe our good health to a humble parasite. The Intestinal Bodyguard protects us from illness, boosts our immune system - even secretes designer drugs. Now, almost everyone has a SymboGen parasite living within them.

But these creatures are getting restless. They want their own lives - and will do anything to get them.' - Parasite, Mira Grant [2013]

This is a lovely book filled with brief interludes of transcripts from various doctors and starting with Doctor Shanti Cale, the fictional character behind the creation of Diphyllobothrium symbogenesis; the tapeworm that became mankind's Intestinal Bodyguard™ and heralded a disease free world. It follows the story of Sally Mitchell, a young woman who had entered a coma during a car crash. Eye witnesses claim Sally had seemed to experience some sort of seizure at the wheel of her car before she pulled out into an oncoming vehicle. The medical experts were convinced Sally was dead and that keeping her body in life support was merely a waste of time because she had suffered 'clinical brain death.' And then Sally woke. Sally's miraculous survival from the car crash was attributed to the Symbogen implant within her, making her an instant celebrity.

However, Sally, a young woman in her twenties, came to with amnesia and doesn't remember any aspect of her prior life at all. Symbogen provided medical healthcare at their expense as she is rehabilitated following her awakening. Her personality as a result is entirely different from the Sally her family used to know as she doesn't have any of her formative years of life, nor her education. She was effectively a blank slate. Symbogen offers the free medical care in return for the opportunity to run tests and for the six years of Sally's life (here meaning her life since she woke up) she's been working with Symbogen's animal shelter.

We see the part of the world through the struggle of Sally as she comes to terms with the world around her and much of her views on the world around her are innocent (in the naive sense). She has to deal with a world almost alien to her. Exposition of the world is also revealed in the form of fictional articles that precede each chapter, giving us a small glimpse into this future. It is effectively a modern world baring the arrival of this genetically engineered Intestinal Bodyguard™ which has revolutionised the health industry.

However, as time goes on, Sally discovers that all is not well. People have begun to develop strange symptoms. Symptoms that the Intestinal Bodyguard™ is failing to stop. Symptoms that Symbogen is working hard to ensure that nobody else hears about. Sally is left in the middle of an unfolding disaster that could mean the end of the human race.


Click below for the full synopsis (click to open/close):



 
Food For Thought

At the heart of Parasite is a story about growing up. A story of the struggle of adulthood and the responsibilities that lie with it. The reality is, everyone grows up, though the gap between childhood and adulthood is often very large. We discover as we grow up that the world was nothing like we thought it would be. Children enter the world with dreams of changing the world, unaware that the truth of the matter is that we are shaped by the world we grow up in instead. People are the product of their environment, the person that reaches adulthood is not an open-minded individual. His or her opinions have already been shaped during their journey to adulthood, influenced here and there by events and by other people that we trust or look up to.

The easiest example of being shaped by our environment is the process undergone by children everywhere. Through your childhood you learn from your parents what behaviour is acceptable and what isn't. Children mimic their parents because they have learnt from their behaviour what achieves results. However, children also learn from the others around them, from the people they interact with.
If the parents are uncomfortable around dogs and take extra pains to ensure their child is safe, so too will the child develop a fear of dogs. This fear can nevertheless be removed if the child is in an environment where the child can come into frequent contact with friendly dogs and their owners... provided that they interact of course.


In Parasite we see Sal, who has only been 'alive' for six years being thrust straight into an adult world because it was required of her. To all intents and purposes, she is weird. Weird because she didn't 'grow up' in a the environment that we see as 'normal.' She likes watermelon juice with tabasco and she is comforted by the smell of bleach for example. Her personality is effectively shaped by the world she grew up in but being of an adult age, she was granted more freedom to develop her personality outside of the 'norm.' The fact that she was cared for by Symbogen first simply highlights that. Her parents want Sal to fit the Sally Mitchell mould despite her complete lack of memories of her past life and even without the underlying plot, Sal would never be Sally Mitchell because she didn't have the experiences that had shaped Sally. A large portion of the book is the struggle of her identity. She is an individual whose identity is completely separate from Sally Mitchell but she nevertheless has Sally Mitchell's body. Her parents want their daughter back, not the stranger in her body. She wants to live her life as the individual she is now, not to be fit into the mould of a dead woman and as the world around her begins to change for the worse, she has no choice but to grow up fast.

In addition to this story there is a warning about the power of trust here. In the modern age we ascribe to our doctors an infallibility derived from their medical knowledge. We trust our doctors to be able to heal us and identify our problems. This is a story about an entire world that has wholly trusted their doctors with their health or specifically Symbogen, a medical corporation. Symbogen has promised a brighter and better world through their Intestinal Bodyguard which has been human tested and approved by the FDA (US Food & Drug Administration) but all they have really done is opened the door for a great catastrophe. Symbogen is a public company with a very large amount of trust given to it thanks to the Intestinal Bodyguard. The article excerpts that precede each chapter indicate very early on that Symbogen had cut corners here and there. But taking shortcuts is only cause for alarm if something goes wrong. The lack of protest to the Symbogen Intestinal Bodyguard throughout the book suggests that the general public trusted Symbogen enough that their 'shortcuts' could be waved aside.

The modern era though is hardly shocked at the idea of an 'unethical corporation.' If anything the stereotype is actually overused. Corporations are by their nature easy to see as unethical because on paper they are a faceless organisation rather than people (although, admittedly it is an organisation comprised of human beings). It is far too easy to perceive a corporation as unethical because they are run by humans who have proven very capable of unethical behaviour in the name of profit. 

Look at Chang Guann Co. A company that had been buying 'gutter' oil and selling it as lard oil. Gutter oil is another term for oil recycled from grease traps and kitchens. Chang Guann claims to have been unaware that they had been purchasing oil from an illegal factory. Mistakes do happen, but in today's society, it is very easy to perceive Chang Guann of deliberate fraud, because we're inclined to distrust the executives on account of the fact that it is hard to accept that the right hand doesn't know what the left hand is doing (although in corporations this does happen). 

The book also throws a mirror up to our conception of what is acceptable in our society. In today's world, barring a few extreme weightloss techniques, the concept of voluntarily ingesting a tapeworm is rather revolting. Parasite is a take on how easily we can accept an offputting concept if it leads to direct and immediate benefits. People happily have their implants because of the greater levels of health they enjoy as a result. It's a glimpse of how society can embrace and adapt to huge changes in lifestyle when these changes bring with them a better standard of living. 

This book briefly touches on the concept of the soul as well. Not directly, but in a more subtle manner. When the sleeping sickness takes a victim this is because the host's implant has crawled into the brain. However, when the implant takes over, none of the original memories of the host are retained, giving a rather loose conception of the soul. Modern neuralogical science doesn't really quite get sentience yet. We know it isn't a matter of processing power (we've built computers with more processing power than humans and they don't spontaneously develop sentience). We're not really sure it's just a matter of chemical inputs in the brain simply because other animals experience much the same but don't display self-awareness. Even in today's world, we still hold close this concept of the soul. The idea that our self-awareness is not tied directly to a physical aspect of our body. The book deals with that sensitive issue by suggesting the tapeworms cannot access prior memories of their host (despite the fact they are using their brains) which implies that there is a soul because those memories were unique only to the host.

Following from the concept of the soul, consider this last, interesting concept. This story, despite its analogies to zombie plots, features the concept of engineered sentience. In the world of Parasite, the public lives healthy through ingesting sentient parasites, killing them every two years to ingest a new one (to ensure they don't grow large enough to endanger the human body). The parasites may not be human, but our treatment of these sentient creatures wouldn't exactly engender friendship. Sal's father doesn't view the victims of the sleeping sickness as people, even though there is a guiding sentience, but by what right do we have to deny the Intestinal Bodyguard its right to life? The Universal Declaration of Human Rights is based on the assumption that the most important thing in the world is humans because of our sentience. Is the term 'human' merely a word for us alone or a phrase that should extend to cover any self-aware creature? We put alot of weight into the value of a human life, treating human life as a sacrosanct thing, but is it right to place humans above the Intestinal Bodyguard?